Meet the Rogue

Live theater. Unsolicited commentary.
From Detroit to Lansing.

Carolyn Hayes is the Rogue Critic, est. late 2009.

In 2011, the Rogue attended 155 plays, readings, and festivals (about 3 per week) and penned 115 reviews (about 2.2 per week).

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Theaters and Companies

The Abreact (Detroit)
website | reviews | 2011 SIR

The AKT Theatre Project (Wyandotte)
website | reviews

Blackbird Theatre (Ann Arbor)
website | reviews | 2010 SIR

Detroit Repertory Theatre (Detroit)
website | reviews

The Encore Musical Theatre Co. (Dexter)
website | reviews

Go Comedy! (Ferndale)
website | reviews

Hilberry Theatre (Detroit)
website | reviews | 2010 SIR

Jewish Ensemble Theatre (West Bloomfield)
website | reviews

Magenta Giraffe Theatre Co. (Detroit)
website | reviews | 2010 SIR

Matrix Theatre (Detroit)
website | reviews | 2010 SIR

Meadow Brook Theatre (Rochester)
website | reviews

Performance Network Theatre (Ann Arbor)
website | reviews

Planet Ant Theatre (Hamtramck)
website | reviews

Plowshares Theatre (Detroit)
website | reviews

Purple Rose Theatre Co. (Chelsea)
website | reviews

The Ringwald Theatre (Ferndale)
website | reviews

Tipping Point Theatre (Northville)
website | reviews | 2010 SIR

Threefold Productions (Ypsilanti)
website | reviews

Two Muses Theatre (West Bloomfield Township)
website | reviews

Williamston Theatre (Williamston)
website | reviews

Archive

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2012

2011

2010

2009

Friday
Oct192012

The Fantasticks

Part bedtime story, part comedy-adventure, part life lesson, The Fantasticks (book and lyrics by Tom Jones; music by Harvey Schmidt) has endured for decades on the strength of its memorable songs and sweeping musings on courtship, love, and growing up. In the current production at the Encore Musical Theatre Company, director Barton Bund works outside-in to present a musical equally concerned with story and with storytelling itself. The ensuing sweet and light production harmlessly toys with the form while still honoring the story and style that have made this show a classic.

Bund’s premise finds the players annexing a playing space intended for some other production, a notion cemented by the commedia feel of Leo Babcock’s ornate but nonspecific backdrop. A rack full of idiomatic costumes (by Sharon Larkey Urick) becomes part of the preparations and leads to a darling innovation that doubles down on the sense of using every available resource. In this pre-show state, Daniel Walker’s lighting scheme is as deliberately wrong as it is dazzlingly right once the show gets on track. It’s a framing device that informs without dictating the fable that follows, leaving room for discoveries without insisting on itself.

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Friday
Sep072012

2012 Rogue's Gallery, part 6

Supporting Actor (Drama)
Supporting Actress (Drama)
Lead Actor (Drama)
Lead Actress (Drama)
Best Drama


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Friday
Sep072012

2012 Rogue's Gallery, part 5

Costume Design
New Play or Adaptation
Ensemble (2–4)
Ensemble (5 or more)
Best Rogue


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Thursday
Sep062012

2012 Rogue's Gallery, part 4

Supporting Actor (Comedy)
Supporting Actress (Comedy)
Lead Actor (Comedy)
Lead Actress (Comedy)
Best Comedy


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Thursday
Sep062012

2012 Rogue's Gallery, part 3

Properties Design
Lighting Design (Proscenium Seating)
Lighting Design (Surround Seating)
Original Production
Duo or Trio


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